In the brief biography page on your site, you mention that your decision to become an artist was a result of your teacher's encouragement when you were four years old. This conversation has been edited for flow and legibility. I am deeply thankful to Ranson for speaking with me about his extensive career and his thoughts on style, about art as practical application versus art as its own end, and about comics as art and business. I had the distinct pleasure of speaking with Ranson at length over email correspondence in June and July of 2023. Over the 35 years of his career, he worked on various properties for Look-in and, later, Marvel and DC, though he is surely best known as artist, from 1989, on some of 2000 AD 's most celebrated features, including "Judge Dredd" and "Button Man" with writer John Wagner, and "Anderson: Psi Division" and "Mazeworld" with frequent collaborator Alan Grant.Įven though he hasn't worked in comics since his retirement in 2007, Ranson cannot be said to be out of touch: at 84 years old, he still actively creates art-having gone from traditional to digital tools-and operates a blog on which he shares his thoughts and updates on current happenings. With a style that appeared almost fully-formed from his 1972 debut in the oft-overlooked ITV television comic Look-in, he occasionally brushed up against what he perceived as an all-encompassing aesthetic tradition of British comics which stifled creativity, yet remained resolutely himself. Interviews All Very Existential: An Interview with Arthur RansonĪrthur Ranson, to me, is one of the finest comic artists to come out of the United Kingdom.
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